Mockingbird foundation board

If you already have some lyrics written, really think about how a motif would work with your most important words or phrase. Start by saying them out loud in a few different ways. This will give you a really basic idea of the rhythm you might use and an inclination of where the pitch naturally rises and falls. Use your phone to record yourself.

With overwhelmingly positive results, we’re happy to share a few select testimonials of Soundfly’s Beginner Harmonic Theory course directly from our students.

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So, now that you’re equipped with some of the tools and knowledge of the most common forms of song structure, keep in mind yet again that there are no rules to songwriting! There are only basic ideas and pieces of advice that you can borrow from as you sit down and create something that’s meaningful to you! It’s helpful to have these weapons in your arsenal. When it comes down to it, the best thing you can do as a new songwriter experimenting with song structure is to try and write with all kinds of structures and figure out what works best for you.

Whether you’re recording yourself or someone else, you’ll save time in the long run by getting lots and lots of takes. The most obvious reason for this is that musicians typically need a couple of run-throughs to start feeling comfortable and confident. But you also need to give yourself as many options as possible for splicing things together during the editing process, so you don’t have to go back in and record “punch-ins.” Re-recording is a time-waster; recording songs more than once the first time is a life-saver.

Carla Malrowe is a singer, composer, keyboardist, writer, and music industry marketer from Johannesburg, South Africa. She is the co-founding vocalist, keyboardist and contributing songwriter for industrial goth-rock band Me’ek. As copywriter and content marketer, she develops marketing strategies for various music events companies to the purpose of  growing the South African alternative music scene. Marlowe is excited to announce that she is currently working on the debut EP of her new electronic project “Shiver Kiss.”

You may already be familiar with the process of mixing. If you’re reading this article, then it’s likely you are at least aware that live performances use sound mixing boards to balance out the volume levels, panning, and EQ of each instrument and microphone line to ensure the performance sounds properly balanced. You may also be familiar with studio-based mixing practices, which incorporates what I just mentioned, but also includes effects processing like reverb, chorus, delay, saturation, and auto-tune, which can be applied to individual tracks or the mix at large.

Next, I’m raising the white flag at these two choruses. At first I just wanted to label them “title refrains” because there’s different material happening after them, but on the other hand, the second half of the choruses are the same, so you kinda have to go back to chorus over refrain.

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Touring is great. But it can very quickly turn into exhaustive, monotonous work. Here are 10 great tips to keep things interesting and fun on the road.

[AC]: “I think the most interesting thing about this is that even participants or listeners who don’t have any musical training show the similar patterns. So in your head, I’m sure you’re not really thinking, ‘How important is that tone?’ You’re giving it a rating based on your gut feeling.”

Every time you touch a turntable, it makes the record go out of sync. Then you have to be very careful to line it back up again. And I’m not even trying to use the crossfader yet. This is all clearly going to take some serious practice.

I get that — creating something new is scary. You aren’t sure what people will think of it, and you’re worried it will be received negatively. There’s value in taking influence from your favorite musicians, but by copying them, you’re putting yourself in a position where if your music were to suddenly disappear, nobody would miss you as a guitarist because they can easily find your sound somewhere else.

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